迷(🈯)幻少(shǎo )女遇(👷)著過(🆓)氣公(gōng )安(ān )老頭,未(🏽)必(bì )(🐌)是貓捉老鼠累鬥(dòu )累,也(🔱)可(kě )(🕰)以(yǐ )是從老(lǎo )前輩(bèi )身(🎹)上學會認識自(🍖)己。阿 P 為追阿(📿)初欠(qiàn )她(tā )(⏬)的債(zhài ),偶然與(yǔ )阿初的外(🖲)公相遇,兩(liǎng )個生活態度南轅北轍的(de )人,就是這樣在荒(huāng )謬的(de )處(chù )境中相互學習。阿P在當中看見(jiàn )年青(qīng )一代(🐖)的(de )無奈:十六歲的(🧚)迷途青(qīng )春、愛情的(de )無(😞)助(zhù )、軟性(💱)毒(dú )品(pǐn )的蠶(🌊)食、面對父母失(shī )敗的婚姻、自己渾噩的前途....阿初無故失蹤,又(🧤)是(🔔)否因抵受不了同(👺)樣殘酷的青春?世情像玻璃,有時看得(🤘)透,有時(💹)不,相同(tóng )的(👊)只(🛎)是(shì ):(🚗)兩者(🦇)同樣冰冷易碎。 (👪)The second feature from Hong Kong indie director Carol Lai is about the vulnerability of youth, made even more fragile by the vulnerable world of the adults. Grandpa Wu used to be a policeman in Mainland China and has now retired to a life of seclusion on an outlying island. One day, her daughter calls him up and reports that his granddaughter Ah Cho is again missing. The old man hits the road again, in search of the young girl. Then P, Ah Cho's best friend, emerges out of nowhere and heads Wu's search, leading the old man into a series of strange encounters in the uncharted world of frustrated youth. (✨) (😄)Source 25th HKIFF (2001)